听雨
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Posts: 221
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Post by 听雨 on Jun 17, 2020 18:16:34 GMT -5
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Post by 溪山 on Jun 17, 2020 19:22:39 GMT -5
永远的莫扎特!
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Post by 特斯拉 on Jun 17, 2020 22:29:49 GMT -5
I have been listening to this piece lately following the Youtube's recommendation.
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Post by 边 草 on Jun 18, 2020 8:56:42 GMT -5
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jun 18, 2020 23:12:30 GMT -5
Mozart. Piano Concerto No. 20 in D minor, K466 - Martha Argerich (1998)
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jun 19, 2020 0:15:22 GMT -5
Mozart: Piano concerto n. No. 21 in C major, K.467 Pollini-Muti
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Post by 溪山 on Jun 19, 2020 13:34:07 GMT -5
"Ultimately, society’s abandonment of classical music stems from modern cultural changes. Since the mid-20th century, Western society has developed a countercultural attitude that readily questions established authority, the classical canons included. Encountering a myriad new adrenaline-charged music styles, people eschew the slow-paced, less immediately accessible classical music. Plagued by modern populism, those in search of easy numbness dub classical music “elitist,” using it as a convenient excuse to turn away from the elusive genre." Nice writing! This young gentleman is definitely a die-hard lover of classical music.
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jun 20, 2020 12:26:27 GMT -5
Mozart Violin Concerto No. 5 Hilary Hahn
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Post by 特斯拉 on Jul 2, 2020 22:38:19 GMT -5
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jul 3, 2020 21:29:13 GMT -5
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Post by 溪山 on Jul 4, 2020 22:16:10 GMT -5
Beautiful thoughts!
David Allen, Times critic So much of what I love about Mozart tends toward the poignant: his ability to express both the pain and beauty of the human condition, the way his music “smiles through the tears,” as the musicologist H.C. Robbins Landon put it. But he also offers moments of pure, unbridled joy, none more overwhelming than the finale of his “Posthorn” Serenade. It’s a reminder that Mozart, as the conductor Colin Davis once said, is “life itself.”
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听雨
Full Member
Posts: 221
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Post by 听雨 on Aug 1, 2020 0:27:47 GMT -5
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听雨
Full Member
Posts: 221
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Post by 听雨 on Oct 30, 2020 18:56:32 GMT -5
Mozart Piano Concerto N°23 K488 - First Movement - ThierryN. piano
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Post by 溪山 on Oct 31, 2020 1:39:17 GMT -5
百听不厌的莫扎特。
Mozart - Piano Concerto No. 23 in A, K. 488 [complete]
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jan 16, 2021 23:43:10 GMT -5
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Post by 特斯拉 on Jan 17, 2021 21:09:54 GMT -5
音色非常好!顶。
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jan 20, 2021 22:18:26 GMT -5
话一出口就知道是行家。 The Gewandhaus Quartet 高水准。
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Post by 特斯拉 on Jan 26, 2021 21:38:05 GMT -5
嗯,不好意思,用“音色”这个词是有点哗众取宠了,因为“音色”东西确实比较玄,它大概跟录音设备及后期制作的效果有直接关系。如果从演奏本身来说,我的感觉是:乐队阵容越“大”,就音色而言其效果就越容易好。这样,反过来,室内乐如三重奏、四重奏及五重奏的“音色”就容易显得单薄。但是,这声音的厚、薄又是一种个人的perception。 刚才又听了一遍,注意到那个演奏厅,那大概不是一般的室内环境,而应该是专门为制作小乐队演奏录音而提供了特别的配置。
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Post by 特斯拉 on Jan 27, 2021 22:19:22 GMT -5
Happy 255th Birthday, Mr. Mozart (Jan. 27, 1756)!
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jan 28, 2021 0:10:05 GMT -5
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听雨
Full Member
Posts: 221
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Post by 听雨 on Jan 28, 2021 0:21:30 GMT -5
音色即 tone color, timbre. 你说得有道理, 音色同“个人的perception” ,即感官相关。
同意你说“乐队阵容越大,就音色而言其效果就越容易好”。 从前作曲家很多是自己作曲,然后指挥自己的乐队演奏。像巴赫就比较气派,他的宫廷乐队比一般的巴洛克乐队阵容要大,所以他的曲子中乐器也多。
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Post by 溪山 on Jan 28, 2021 1:39:36 GMT -5
I got only 7 out of 10.
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Post by 特斯拉 on Jan 28, 2021 16:47:15 GMT -5
I made two wrong choices! one is too many!
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Post by 特斯拉 on Jan 28, 2021 16:49:06 GMT -5
Happy 255th Birthday, Mr. Mozart (Jan. 27, 1756)! Oops! 265 th.
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Post by 特斯拉 on Jan 28, 2021 16:58:11 GMT -5
Mozart - Allegro In D Major (2021, Newly Discovered Mozart Piece)
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