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Post by 溪山 on Sept 14, 2017 1:02:12 GMT -5
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Post by 溪山 on Sept 14, 2017 1:05:48 GMT -5
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Post by oldperson on Sept 14, 2017 15:12:04 GMT -5
也是第一次听说，还是个法语名，蛮文骚的。
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Post by 溪山 on Sept 14, 2017 22:47:46 GMT -5
故人君说话有趣。 ：）
故人君精通法文，真好。 我目前还不敢学法文，据说法文是世界上最美丽的语言，但发音不好学。
字典：
a style of ornamentation current chiefly in the 18th century in Europe, characterized by intricate patterns and an extensive use of motifs identified as Chinese.
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Post by 溪山 on Dec 31, 2018 0:57:42 GMT -5
Chinoiserie (English: /ʃɪnˈwɑːzəri/, French: [ʃinwazʁi]; loanword from French chinoiserie, from chinois, "Chinese") is the European interpretation and imitation of Chinese and East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and East Asia.
As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focuses on subjects that were thought by colonial-era Europeans to be typical of Chinese culture.
---wiki
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Post by 溪山 on Dec 31, 2018 1:01:19 GMT -5
 collections.artsmia.org/art/717/the-chinese-fair-francois-boucherThe Chinese Fair, designed 1742 (woven 1743-1745) François Boucher; Cartoonist: Jean-Joseph Dumons; Weaver: Ad. Camousse at the Royal Beauvais Manufactory under Jean-Baptiste Oudry and Nicolas Besnierexpand_more Wool, silk; tapestry weaveexpand_more As trade expanded to China in the 17th and 18th centuries, Europeans became intrigued with the exoticism of the Far East. In time, artists created decorative objects inspired by Chinese forms and motifs. This tapestry, one of a six-part series designed by the French painter François Boucher, captures the bustle of a European marketplace thinly disguised as a Chinese fair. Pagoda roofs, rickshaws, and Asian costumes, along with elephants and camels, help complete this illusion. In the 18th century, it was fashionable to install tapestries permanently on the walls and to decorate the rooms accordingly. This tapestry was originally hung in a Paris salon surrounded by imported Chinese cabinets, chinoiserie (Chinese-inspired) screens, and crimson upholstery and curtains. From the second Chinese Series. |
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Post by 溪山 on Dec 31, 2018 1:04:59 GMT -5
 Decorating In Chinese Chippendale Style "Chinese Chairs" from "The Gentleman & Cabinet Maker's Director", Thomas Chippendale |
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