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Post by Immanuel on Aug 20, 2018 5:26:38 GMT -5
中夜不寐步韵东坡和董传留别
抟鹏气运到天涯 逐鸥里程失京华 波上生活定一叶 人间议论乱百花 千古意气看走马 万劫新象弈驰车 可能寂念不沾俗 起来清笛度栖鸦
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Post by 溪山 on Aug 21, 2018 17:00:32 GMT -5
以君的对句总是那么惊艳。 :)
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Post by 溪山 on Aug 22, 2018 0:11:14 GMT -5
和董传留别 苏轼
粗缯大布裹生涯,腹有诗书气自华。 厌伴老儒烹瓠叶,强随举子踏槐花。 囊空不办寻春马,眼乱行看择婿车。 得意犹堪夸世俗,诏黄新湿字如鸦。
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Post by 溪山 on Aug 22, 2018 0:14:49 GMT -5
可能寂念不沾俗 起来清笛度栖鸦 --- 仙气袅袅。
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Post by Immanuel on Aug 22, 2018 8:03:37 GMT -5
Beautiful! Came across this last night: “To do otherwise is like coming into the presence of an extremely sensitive person and just saying or doing those things which create agony to that sensitive person. If you are a musician, a musical person - I do not mean if you played music! - if you were a musical person, if you had a high, keen sense of music, and anyone came into your presence and strummed and struck constant discords, you know what agony it would be. You would go hot and cold. If you knew a certain person to be keenly, acutely strung to true music, and you were not in any special way musical, it would be the last thing that you would do, if you had good sense, to attempt to play in the presence of such a one. I remember a man who played the violin fairly well and he went to hear someone who played the violin very well. He came to me after and said, I am going to put my foot through my violin: I will never play again. If that man heard me play, it would drive him mad!” Excerpt From The Law of the Spirit of Life In Christ Jesus T. Austin-Sparks itunes.apple.com/us/book/the-law-of-the-spirit-of-life-in-christ-jesus/id526656739?mt=11This material may be protected by copyright. .
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Post by 溪山 on Aug 24, 2018 1:54:03 GMT -5
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Post by 溪山 on Aug 24, 2018 1:55:00 GMT -5
THE PREFACE
The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.
The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.
Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty.
There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.
The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.
All art is quite useless.
OSCAR WILDE : The Picture of Dorian Gray
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Post by 溪山 on Aug 24, 2018 1:55:35 GMT -5
ebooks.adelaide.edu.au/w/wilde/oscar/dorian/preface.htmlTHE PREFACE The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless. OSCAR WILDE The Picture of Dorian Gray
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Post by Immanuel on Aug 25, 2018 9:15:20 GMT -5
Interesting and smart a read, darkened and foolish the mind.
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